Pradeep Ranganathan (right) with Dude director Keerthiswaran
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Pradeep Ranganathan (right) with Dude director Keerthiswaran.

Dude review: Sarathkumar steals the show in Pradeep Ranganathan starrer

Dude excels in its comedic set pieces, which are executed with precision and infectious energy. The performances, particularly by Sarathkumar and the lead pair, are a major draw, making the film an engaging watch


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Pradeep Ranganathan, riding high on the success of his previous blockbusters Love Today and Dragon, returns with Dude, a Tamil romantic drama directed by debutant filmmaker Keerthiswaran.

The burning question is whether Pradeep can achieve a hat-trick of hits with this intriguing mix of traditional conflicts and progressive ideologies. Dude attempts to balance heartfelt romance, rib-tickling comedy, and social commentary, but does it live up to the expectations set by Pradeep’s earlier triumphs? Let’s dive into the details.

Plot synopsis

The story opens with Agan (Pradeep), a spirited yet impulsive young man, causing a scene at his ex-girlfriend’s wedding, demanding to know why she rejected him. In a surprising turn, he quickly retracts his outburst, acknowledging that a woman’s decision to say no doesn’t require justification, and one must accept reality and move forward. This introspective moment sets the tone for Agan’s journey of self-discovery.

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We are then introduced to Kural (Mamitha Baiju), the vivacious only daughter of a powerful and domineering minister, Athiyamaan Azhagappan (Sarathkumar), who also happens to be Agan’s maternal uncle. Kural and Agan share a deep bond, having grown up together and now working side by side at Agan’s innovative surprise event management company. The dynamic shifts when Kural unexpectedly proposes to Agan, only to be gently turned down as he confesses he feels no romantic spark for her. Heartbroken, Kural decides to pursue higher studies, creating distance between them.

In a classic twist of fate, Agan soon realises he has fallen deeply in love with Kural. When he shares his newfound feelings with his uncle, the latter enthusiastically arranges a grand wedding. However, the plot thickens when it’s revealed that Kural has fallen for another man, one from a different caste. The stakes escalate further with the shocking revelation that Athiyamaan, a staunch caste chauvinist, once committed a heinous act by killing his own sister for a similar “transgression”.

Series of twists in 2nd half

The second half unravels a series of twists, as Agan and Kural navigate love, societal pressures, and familial expectations, culminating in a resolution that challenges conventional norms.

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Pradeep reaffirms his versatility as a leading man, effortlessly blending his signature quirky mannerisms, impeccable comic timing, and emotional depth. His portrayal of Agan is both endearing and relatable, capturing the confusion of modern romance with authenticity. Mamitha shines as Kural, matching Pradeep’s energy in comedic sequences while delivering poignant emotional moments with finesse. Her chemistry with Pradeep feels natural, anchoring the film’s romantic core.

Sarathkumar, however, is the undeniable show-stealer. His portrayal of Athiyamaan is a masterclass in balancing larger-than-life charisma with nuanced emotion. From commanding the screen with his energetic, often hilarious antics to tugging at heartstrings in the climax, Sarathkumar elevates every scene he’s in. Hridhu Haroon, in a supporting role, brings a refreshing lightness to the narrative, adding charm to the ensemble with his breezy performance.

Debutant director Keerthiswaran crafts a narrative that juxtaposes old-school conflicts — caste divisions, honour killings, and patriarchal control — with progressive solutions. The film boldly addresses sensitive topics, such as the irrelevance of traditional symbols like the nuptial thread when divorced from genuine emotional respect. Another standout theme is its critique of caste-based violence, suggesting that those who uphold such regressive beliefs should confront their own prejudices rather than harm others.

These messages, while impactful, are occasionally undermined by a repetitive storyline that leans heavily on familiar tropes.

Music is a mixed bag

The first half of Dude unfolds at a leisurely pace, allowing viewers to connect with the characters. The pre-interval sequences are a comedic highlight, brimming with laugh-out-loud moments, particularly when Sarathkumar’s larger-than-life presence takes centre stage. However, the second half, while packed with twists, feels stagnant at times. The recurring motif of the trio (Pradeep, Mamitha, and Hridhu) evading Athiyamaan’s wrath dominates the narrative, leading to a sense of déjà vu that slightly hampers the film’s momentum.

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Sai Abhyankkar’s music is a mixed bag. The songs are catchy and well-composed, seamlessly blending into the narrative and enhancing the film’s vibrant energy. However, the background score lacks the same punch, failing to elevate key emotional or dramatic moments. On the technical front, the cinematography stands out, with inventive shot compositions that add flair to the action sequences and song choreography. The visuals are crisp and dynamic, capturing both the grandeur of the film’s set pieces and the intimacy of its quieter moments. The editing, while generally competent, could have been tighter in the second half to maintain narrative momentum.

Dude excels in its comedic set pieces, which are executed with precision and infectious energy. The performances, particularly by Sarathkumar and the lead pair, are a major draw, making the film an engaging watch. The progressive messaging, though occasionally heavy-handed, is a refreshing take on age-old societal issues, offering solutions that resonate with younger audiences.

On the downside, the film’s reliance on repetitive plot devices — particularly the cat-and-mouse chase in the second half — dulls its impact. The old-school conflicts, while resolved in a modern way, feel dated at times, and the pacing could have been more consistent to sustain viewer engagement.

Overall, Dude is a spirited romantic drama that delivers ample laughs, heartfelt moments, and thought-provoking commentary on caste and gender dynamics. Keerthiswaran’s directorial debut shows promise, blending humour and heart with a socially conscious lens, even if the execution falters in parts. For fans of Pradeep’s brand of quirky charm and those seeking a light-hearted yet meaningful cinematic experience, Dude is well worth a watch.

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